Download full movie film socialisme 2010 godard torrent

Top cast Edit. Jean-Luc Godard. More like this. Watch options. Storyline Edit. A symphony in three movements. Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday Our Europe. At night, a sister and her younger brother have summoned their parents to appear before the court of their childhood. The children demand serious explanations of the themes of Liberty, Equality and Fraternity.

Our humanities. Not Rated. Add content advisory. Did you know Edit. Trivia The film did not include traditional English language subtitles for releases in countries that spoke such language. Instead, the subtitles were in "Navajo English", a translation that baffled many critics and audience members.

Connections Edited from Battleship Potemkin User reviews 19 Review. Top review. Surface glitter hides an empty interior. It was eagerly awaited for years,the trailer which was the whole film in fast motion looked ravishing, and it seemed as if in this,perhaps his last film,Godard would deliver his final testament,a summation of all the themes which have run through his work for the last fifty years.

From the beginning it looks absolutely stunning. In the final section the film switches to one of Godard's favourite subjects,the daily routine of a family with young children who run a petrol station and have for no apparent reason a pet llama.

Here finally the film shows some kind of rapport with its characters but it is already too late. Yet despite its faults it still exhibits all the hallmarks of Godard's style,the brilliance of his framing and editing,the crucial way sound plays against image,but the feeling persists that perhaps he has no longer anything to say.

Details Edit. Release date May 19, France. Switzerland France. Ever since I first saw it a decade ago I have always aspired to be the sort of person who loves this movie, but I think I finally need to come to terms with the fact that I don't care what the goddamn boat symbolizes. Review by Augie 1.

JLG has faith in me as a viewer, and he has faith in my generation and our ability to change the world. I really appreciate that, it means a lot to me. The wisest people know how to learn from those younger than them, and he is one of the wisest.

He is an old man but this film is young. One of the essential films of the last decade. Jean-Luc Godard's Film Socialisme only makes sense if you watch it as a building block to his much-better and most recent film Goodbye to Language. As he has often done during his long career, Godard explores a theme in one film and takes it even farther in the next film. In Film Socialisme , Godard begins to play with using film technology against itself--something he does to extreme effect in Goodbye to Language with 3D technology.

In Film Socialisme , Godard plays with digital film, showing its advantages and disadvantages with humorous and bizarre results. Film Socialisme has no narrative. You could try to piece something out of the images and dialogue, but I think you'd be wasting brain power by doing….

I normally prefer Godard the poet over Godard the academic, he has such an ease with images and editing that it can become deleterious to the text itself, and Film Socialisme just finds the perfect way of digitizing these extremities uniformly.

My favorite of his thus far. Much more than an exercise in subjective reading; it is in fact, a collective effort, its Godard placing his trust on the viewers, rewarding them with the conclusion that they do have the necessary tools to associate these pieces. No wonder this gets compared to Goodbye all the time: language is a commodity at the hands of those who have power.

And Goddy is bringing it back to us! It's also really funny! I think there's a nice comparison to be made between G's newest works and Curtis Adam at his most eloquent.

As cinema evolves, Godard realizes that words have become meaningless to others. We see words as text while Godard understands that a word is an image in itself. You can either laugh at it, as Mark Kermode did in his profoundly entertaining reviews , or you go deep. Or you could do both. I laughed quite consistently throughout my first viewing: at the random appearances by an extremely stoic llama, at the small child in the CCCP t-shirt who alters the classic painting in his colouring book because "that moron Degas missed so much", at the revelation that the cruise ship the characters in the first act are on is the Costa Concordia!

Insert your own "second biggest disaster to befall that ship" quips here But it was a fond laughter, a recognition that Godard…. There was a moment where the narration without subtitles was in sync with a fish moving its lips, that was the most enjoyment I got out of this film if I can even call it that.